It utilizes a fair share of familiar and overused tropes – two strangers stuck together forcing them to spend time together, the initial clash of personalities during the “meet-cute”, warring enemies turning into lovers after a bout of animosity, overcoming their differences or misconceptions, and finally a fairy-tale-style happy ending. Love in the Villa lacks originality and freshness in its wafer-thin plot, depthless characters, and cursory and foreseen turn of events. All of a sudden, the ice breaks, and the two become amicable and eventually share a bond between them as she shows him the city in a new light. A stubborn Julia and a cynical Charlie indulges in hijinks – he invades her diary she exploits his allergies to cats he has her missing luggage donated to charity she calls the cops on him, and they even end up in a food fight that breaks the window and summons the police. Thus begins the some-parts-hilarious yet some-parts-silly war over the Villa, where both try to oust each other. And the worst of them all is when she discovers that her private Villa has been accidentally double-booked by a tall, “obnoxious yet very fit” Brit, Charlie (Tom Hopper), a wine importer, who comes to Verona each year for his job seeking out vintners to work with during Vinitaly, a wine festival.
#LOVELY WRITER THE SERIES SERIES#
She endures a series of misfortunes – a delayed flight, turbulence, screaming babies, lost luggage, and a reckless cab driver. Julie’s dream of a lovely getaway to recharge herself is thwarted when she is set aback by the most uncertain circumstances. She even goes to the extent of laminating her itinerary and even allocates a sliver of vacation time for “spontaneity.” But when Brandon gets cold feet and breaks up with her unceremoniously, she ventures on a solo trip rather than brood and mope in Minneapolis. She plans meticulously for the trip of a lifetime with her boyfriend of four years, Brandon (Raymond Ablack), to a romantic villa in picturesque Verona, including everything from reservations to themed tours, while staying in La Villa Romantica, that faces the balcony that inspired the famous scene in Shakespeare’s tragic play. Love in the Villa (2022) follows the story of elementary school teacher Julie (Kat Graham), an overachiever and a perfectionist, and a hopeless romantic at heart obsessed with Romeo and Juliet. The ugly formula of clichés and lackadaisical and predictable situations has undoubtedly become the reason for the film’s downfall. Writer-director Mark Steven Johnson’s Love in the Villa, starring Kat Graham ( The Vampire Diaries ) and Tom Hopper ( The Umbrella Academy ), has all the classic ingredients of a romantic comedy: a man and woman meet serendipitously, their mutual hatred for each other prolongs their evident spark and chemistry, their despise is soon forgotten when they find middle ground and have a heart-to-heart, and finally surmounting all obstacles, they are finally united in a passionate embrace. Netflix has managed to churn out yet another romantic comedy that follows the generic narrative of a young and romantically unlucky woman desperate to find her true love.
When they turn out to be unremarkable and underwhelming, we go back to the nostalgic past of best rom-coms and wish ourselves a better time.Īnd another one bites the dust.
However, Rom-coms are few and far between nowadays and turn out mostly to be a hit-and-miss affair that rarely has a funny or original, or memorable narrative/characters. The innumerable classic rom-coms that make your heart swoon or race with an abundance of entertainment, funny predicaments, and refreshing characters are a testament to that. Romantic comedy can be such a delightful genre when it is done right.
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